Sara Coit

In 2024 Mezzo-soprano Sarah Coit joined the San Francisco Opera as Rosmira cover in Partenope  and Second Lady in The Magic Flute. She made a role and company debut as Diana in Cruzar la Cara de la Luna with San Antonio Opera, and workshopped Peggy & Jackson, a new opera about Peggy Guggenheim and American painter Jackson Pollock. Sarah finished the year as the alto soloist in Messiah with Portland Baroque. She returned to Seattle Opera in 2023 as Fariba and Wife #3 in the world premiere of Sheila Silver and Stephen Kitsakos’ A Thousand Splendid Suns, sang Mercedes in Carmen  with the Reno Philharmonic, and reprised the role of Laurene Powell Jobs in The (R)evolution of Steve Jobs with Utah Opera. She also offered her first Nero in L’Incoronazione di Poppea  with West Edge Opera, sang Angelina in La cenerentola with Toledo Opera, created the role of Polly Thompson in the world premiere of Touch  with Opera Birmingham, and sang Hansel in Hansel and Gretel with Opera Tampa and Rosina in Il barbiere di Siviglia with Tri-Cities Operas.

Other recent engagements include Juno in Handel’s Semele with Opera Santa Barbara, Stephano in Roméo et Juliette with San Diego Opera, Sesto in Giulio Cesare with West Edge Opera, Daniel in Handel’s Belshazzar with American Bach Soloists, concerts with Sag Harbor Song Festival and The Neave Trio in Boston, and a role debut as Komponist in Ariadne auf Naxos with Arizona Opera. In 2025 Utah Opera welcomed her back as Hansel in Hansel and Gretel. The busy mezzo also makes a house and role debut as Maria in Maria Stuarda with Opera Baltimore.



She is delighted to sing the title role in La cenerentola  with Wichita Opera.

Learn more about Sara at
https://www.sarahcoit.com/